Skip to main content

Now&Zen: The Coen Brothers' The Big Lebowski

 Jeff Bridges, John Goodman, Stece Buscemi, John Turturro, Julianne Moore, Philip Seymour Hoffman. Dir. Joel&Ethan Cohen, Polygram, 1998


What can I possibly say about one of the great cult classics ever, certainly among my favorite movies of all time? I can, and have, devoted New Yorker-length writeups to other favorites such as Do the Right Thing and The Godfather, but those movies are not the Coen Brothers' late-'90s slacker noir. In their usual genre-demolishing way, the Coens pay tribute to the spirit of Raymond Chandler with an LA-set mystery in which, at a certain point, neither the mystery nor its solution hold the least interest for an otherwise-rapt audience. If that solution seems obvious to some early on, by the time it arrives they may not even notice. In that moment, John Goodman's bodyslam of David Huddleston usually has me convulsed in mirth rather than resolution. Besides, what's resolved in the end is what was established at the beginning: The Dude is the man for his times. He fits right in there. The Dude abides. Just as zen simply is, what else can be said? 

Comments

Popular posts from this blog

An Accidental Franchise: The Rambo movies

 FIRST BLOOD, RAMBO:FIRST BLOOD PT. II, RAMBO III, RAMBO, RAMBO:LAST BLOOD Sylvester Stallone, Brian Denehey, Richard Crenna, David Caruso. Dir. Ted Kotcheff, Tri-Star, 1982 Sylvester Stallone, Richard Crenna, Julia Nickson, Martin Kove. Dir. George P. Cosmatos, Tri-Star, 1985 Sylvester Stallone, Richard Crenna. Dir. Peter MacDonald, Tri-Star, 1988 Sylvester Stallone, Julie Benz, Ken Howard. Dir. Sylvester Stallone, Weinstein Company, 2008 Sylvester Stallone, Paz Vega. Dir. Adrian Grunberg, Lionsgate, 2019 My friend Alice sent me a few movies she got into over the last months. These include Mad Max:Fury Road and The Triplets of Bellevelle, as well as all five of Stallone's Rambo movies. My thoughts on them run below. The problem inherent to the Rambo movies is they each revive a character from a surprise-hit movie, but not his ongoing story, because the first film's genius conceit denied him any backstory. The movies all feature John Rambo, human killing machine, ...

Cuck Fiction: Charles Vidor's GILDA

 Rita Hayworth, Glenn Ford, George MacReady, Steven Geray. Dir. Charles Vidor, Columbia, 1946 My favorite erotic fiction deals with cuckolding. The stories fascinate me. As people, cuckolds don't seem to think they're worth nice things. Or happiness. On the other hand, the cuckolding partners and their multiple lovers don't come over as the clear victors, either. Part of the fascination - maybe most of it - lies in trying to decide which party comes out the MOST degraded.  Is it the submissive, sensitive husband and his unsatisfactory size/staying power? Is it the "slutwife" who finds satiety in being transformed into a fuckdoll to humilate her husband? Or is it the lover - often black - who gets to degrade the sexy white lady but who doesn't otherwise matter? As in bdsm scenes, if the cuck is most degraded, that means he also "wins," as his desires to see his wife turned into a promiscuous slut while he gets to be bi without shame are most fulfi...

Collected&Directed #2:John Carpenter's DARK STAR & ASSAULT ON PRECINCT 13

  DARK STAR Dan O'Bannon, Brian Norelle, Cal Kuniholm, Dre Pahich. Dir. John Carpenter, Bryanston Distributing, 1975 My first real film-nerd buddy was named Tom. We went to the same prep school, where our interest in Monty Python, horror movies, & shooting our own productions with Tom's dad's movie camera (not a little Super8 job, either, it had sound) did not earn us invites to the cool kids' parties. Tom had two legs up on me when it came to movies:1.The financial support of his parents. 2.Cable, including Movie Channel. He had access to infinitely more films, uncut films, uncensored films, foreign films - he had a freakin' movie library living inside his TV and his parents didn't care if he stayed up all weekend watching it. Tom had seen many more movies than I, but it wasn't competition. It was friendship - that wondrous sensation of mutual delight when you meet someone who GETS IT. Tom loved to share the films Movie Channel & openminded paren...