Skip to main content

Breaking Even: Adam Sigal's When the Starlight Ends

 Sam Heughan, Arabella Oz, David Arquette. Dir. Adam Sigal, Cinedigm, 2016


Along with The Beast, When the Starlight Ends was my great-unknown buy on my last trip. Found for $2 in the Dollar General clearance bin, it looked like some micro-indie romantic drama, maybe an ensemble piece, that somehow got enough distribution to turn up in an Oxford DG. Might be a cool discovery. Might stink. $2 made it worth the gamble. Watching it, not as much.

First off, When the Starlight Ends is exactly what it appears, a microindie rom-dram, starring a star of Starz's Outlander series and his two famous friends, Sean Patrick Flanery and David Arquette, in cameos lending what looks like a student film with a good grant some dubious accociation with celebrity. Its best moments all owe to cool cinematography moreso than performance or story. A driving scene either resurrects real rear projection or some digital version thereof, but looks really cool either way.

The story - I mean, it's more a standard set of situations, like a writing-class exercise on film, where the idea is to ring the kind of stylistic/cinematographic changes on the form likely to get some Hollywood or big producer's eye. For Mr. Sigal's sake, I hope he succeeded. For future audiences' sake, I hope that studio or producer acquaints him with interesting characters and stories that are about something. Anything.

Could be a real discovery. Could be crap. The Beast was a discovery. When the Starlight Ends goes to the other place. A 50-50 split on the gamble. For $3, I found one movie not yet on bluray worthy of agitating for, a truly striking and obscure film and a no-budget bore. A satisfactory return on the investment.

Comments

Popular posts from this blog

Cuck Fiction: Charles Vidor's GILDA

 Rita Hayworth, Glenn Ford, George MacReady, Steven Geray. Dir. Charles Vidor, Columbia, 1946 My favorite erotic fiction deals with cuckolding. The stories fascinate me. As people, cuckolds don't seem to think they're worth nice things. Or happiness. On the other hand, the cuckolding partners and their multiple lovers don't come over as the clear victors, either. Part of the fascination - maybe most of it - lies in trying to decide which party comes out the MOST degraded.  Is it the submissive, sensitive husband and his unsatisfactory size/staying power? Is it the "slutwife" who finds satiety in being transformed into a fuckdoll to humilate her husband? Or is it the lover - often black - who gets to degrade the sexy white lady but who doesn't otherwise matter? As in bdsm scenes, if the cuck is most degraded, that means he also "wins," as his desires to see his wife turned into a promiscuous slut while he gets to be bi without shame are most fulfi...

Obligatory TL;DR Statement of Purpose

 A not-so-brief explanatory note as to how this blog works: I can't recall a time when movies weren't my passion, my compulsion, my addiction. Ever since my parents took me to see Disney's Bedknobs&Broomsticks, I've been hopeless. Born in 1967, I grew up with free range parents. They took my brother and me to all kinds of movies, often using Hollywood as a babysitter. We saw movies about which many parents today would cluck their tongues (though nothing R-rated until I was 12. My first R-rated movie was MONTY PYTHON'S LIFE OF BRIAN.) Though my parents were professionals and we grew up affluent, our home saw its share of dysfunction. Dad was in the house, but not often present. Mom, stressed and disappointed at discovering her marriage wasn't an equal partnership, took out her frustrations on me.  Without getting too far into the weeds, let me just say my adult life has been far from typical middle class stability. I've never had a career. Never finished ...

Personal Movies: Robert Redford's ORDINARY PEOPLE

 Donald Sutherland, Mary Tyler Moore Timothy Hutton, Judd Hitsch. Dir. Robert Redford, Paramount, 1980 I have been fortunate - I suppose that's the word - to see my story on the big screen. Twice. We talk of identifying with movies, with characters, of moviegoing being our identity, but I never went to the movies expecting to see my life reflected back to me. The second time it occurred, with Jonathan Demme's RACHEL GETTING MARRIED, it at least had the benefit of being about a woman, so I can't get all theatrical about how I totes get Rachel. I don't, but I went home from treatment for family events and man, it looked a lot like that movie. The first time it happened, with Robert Redford's directorial debut, ORDINARY PEOPLE, it was a guy, and that guy, if older than my 13 years, lived a life that looked a whole lot like mine, minus the dead brother. In my case, my brother, my parents' biological son, is extravagantly the favorite, and my Mom & I know the...