Skip to main content

Breaking Even: Adam Sigal's When the Starlight Ends

 Sam Heughan, Arabella Oz, David Arquette. Dir. Adam Sigal, Cinedigm, 2016


Along with The Beast, When the Starlight Ends was my great-unknown buy on my last trip. Found for $2 in the Dollar General clearance bin, it looked like some micro-indie romantic drama, maybe an ensemble piece, that somehow got enough distribution to turn up in an Oxford DG. Might be a cool discovery. Might stink. $2 made it worth the gamble. Watching it, not as much.

First off, When the Starlight Ends is exactly what it appears, a microindie rom-dram, starring a star of Starz's Outlander series and his two famous friends, Sean Patrick Flanery and David Arquette, in cameos lending what looks like a student film with a good grant some dubious accociation with celebrity. Its best moments all owe to cool cinematography moreso than performance or story. A driving scene either resurrects real rear projection or some digital version thereof, but looks really cool either way.

The story - I mean, it's more a standard set of situations, like a writing-class exercise on film, where the idea is to ring the kind of stylistic/cinematographic changes on the form likely to get some Hollywood or big producer's eye. For Mr. Sigal's sake, I hope he succeeded. For future audiences' sake, I hope that studio or producer acquaints him with interesting characters and stories that are about something. Anything.

Could be a real discovery. Could be crap. The Beast was a discovery. When the Starlight Ends goes to the other place. A 50-50 split on the gamble. For $3, I found one movie not yet on bluray worthy of agitating for, a truly striking and obscure film and a no-budget bore. A satisfactory return on the investment.

Comments

Popular posts from this blog

Fill in the '80s: Peter Bogdonovich's Mask

 Cher, Eric Stoltz, Sam Elliott, Laura Dern. Dir. Peter Bogdonovich, Universal, 1985 As I've noted, my movie addiction starts with my parents taking me to see Disney's Bedknobs&Broomsticks when I was four years old. I spent the '70s seeing any movie I could, mostly Disney and other kid-friendly fare, peppered by notable exceptions like The Sting, Jaws, and The Outlaw Josey Wales. In the '80s, my teenage and young adult years, I began to see more adult-themed movies and started watching with a somewhat more critical eye. I have since compiled a list of every '80s movie I've seen.  It's a long list. All the usual suspects are on it. The classic '80s fare, the Purple Rains and Red Dawns and Top Guns and so forth predominate. Whenever I go out scavenging, I always keep an eye out for '80s titles I have not seen or have but do not own. I regard the unseen ones as pieces of a picture puzzle I've been filling in for 40 years. Last night, I fitted ...

Ev'rybody wants to be a kid: Walt Disney's The Aristocats

 Voices of Eva Gabor, Phil Harris, Scatman Crothers, Paul Winchell. Dir. Wolfgang Reitherman, Disney, 1970 Little kids love receiving mail. I've had friends with young children ask if I'll send them mail - a postcard, a greeting card - just because it makes them feel special. I was no different. I suppose it gave me an early sign of individuality, of being a real person apart from my parents and, conversely, of belonging to a larger world. The grownups get mail. If I get mail, it's some small step toward adulthood. Not that I could have articulated that at age five. Then, it was pure novelty, long before life - and my parents - taught me to fear new experiences.  When I was a child, Disney used to release lps of their movies. Not soundtrack albums, these were a condensed version of the film, itself, featuring the actual dialog and sound from each picture. They came as gatefold albums with a full-color booklet attached to their inner spine so a listener could read along with...