Skip to main content

NOT a REVIEW: JJ Abrams' Star Trek Into Darkness

 Chris Pine, Zachary Quinto, Karl Urban, Simon Pegg, Zoe Saldana, Benedict Cumberbatch. Dir. JJ Abrams, Paramount, 2013


I do not write up everything I see. Based on the contents of a previous post, I sometimes don't write up ANYthing I see. Some movies don't need another review and inspire no more comment than that. Most of those tend to be bad movies which are simply forgettable, not interestingly bad in some way worthy of a few grafs. Not offensive, not problematical, not colossal flops, just Hollywood product with no apparent reason for existing.

Sometimes, though, the opposite is true. Look at Star Trek Into Darkness. I have no idea what to say about it. I saw it years ago and liked it and snapped it up the other day and enjoyed it just as much. The cast is good, Cumberbatch is a great villain, the action comes at the viewer almost nonstop, there's plenty of laughs, and a tearjerking moment most Trek fans will love. As I said, I liked it a lot.

But so what? Star Trek Into Darkness inspires no journey into memories, no musing on my past, no fresh perspective, no hot takes on - anything. It's a highly enjoyable sequel to a successful reboot, keeping its franchise, the most durable in Hollywood, alive, at least until 2015's Star Trek Beyond brought the series to a temporary halt. (A new instalment, exec produced and possibly written by Quentin Tarantino, is reportedly in the pipeline.) But, again, so what?

Star Trek Into Darkness makes a thoroughly satisfying Saturday night - or Wednesday afternoon - at the movies if a rollicking scifi actioner is your pleasure. And that's it. It takes more grafs to say why the movie's not special enough to write about than to praise.

This concludes my nonexistent writeup for Star Trek Into Darkness. 

Comments

  1. This is how I feel about Wodehouse novels. I've been keeping a journal of everything I read since 2019 and looking back through it, every time I knock out a quick Wodehouse story I dutifully note it down and the comment is always, "What's there to say? Of course it was fun, of course it was frothy, of course I loved it." (I also liked but barely remember the Star Trek movie. I have a problem with Benedict Cumberbatch which is that I hate his name, and every time I see him I devote a little corner of my brain entirely to turning over the name in my mind and wondering why everybody seems to find him so devastatingly handsome, and another corner wondering why I give a shit since he's a great actor).

    ReplyDelete

Post a Comment

Popular posts from this blog

No Return:Stanley Kramer's IT'S A MAD, MAD, MAD, MAD WORLD

 IT'S A MAD, MAD, MAD, MAD WORLD. Spencer Tracy, Ethel Merman, Milton Berle, Mickey Rooney, Sid Caesar. Dir. Stanley Kramer, MGM, 1963 I do not generally write about films I stop watching halfway. What's the point? I either have nothing positive to say about it or was in the wrong mood. In both cases I'm ignorant of its full length to perhaps do it justice. In the case of Stanley Kramer's 1963 comedy smash, however, I feel compelled to make an exception.  My problem with the movie is not my mood, nor disappointment because it's not the movie I once heard. In fact, my biggest problem is that I haven't heard it described in glowing terms, or any, since I was about 9. See, IAMMMMW used to air anually on one or another of the networks, often in December. My parents didn't care for it and never watched it, but my friends watched anytime it aired and talked about it in rapturous terms. Until about 9-10 years old, when it seemed to drop out of conversation, or conv...

Junkie-fatigue: Taylor Hackford's Ray

 Jamie Foxx, Kerry Washington, Terence Howard, Warwick Davis, Curtis Armstrong. Dir. Taylor Hackford, Bristol Bay/Universal, 2004 Jamie Foxx, nominated for both Supporting Actor and Best Actor at the 2004 Academy Awards, won Best Actor for Ray and, watching Ray tonight for the first time in about 15 years, I'm glad it went down that way. Tom Cruise gave a career-best performance in Collateral, for which Foxx received his Supporting Actor nod. It's a great performance, too, but no moreso than Cruise, ignored by the Academy, so it feels right to me that Foxx got his statuette for the movie where he didn't share the spotlight with a star of Cruise's magnitude. Not that it would make much difference if Foxx had some high-voltage costar in Ray, because the movie simply doesn't exist without Foxx and his essay of Ray Charles. Not unlike Coal Miner's Daughter, the other music biopic whose star picked up a Best Actor, Ray occurs from Ray's point of view, so ther...

Obligatory TL;DR Statement of Purpose

 A not-so-brief explanatory note as to how this blog works: I can't recall a time when movies weren't my passion, my compulsion, my addiction. Ever since my parents took me to see Disney's Bedknobs&Broomsticks, I've been hopeless. Born in 1967, I grew up with free range parents. They took my brother and me to all kinds of movies, often using Hollywood as a babysitter. We saw movies about which many parents today would cluck their tongues (though nothing R-rated until I was 12. My first R-rated movie was MONTY PYTHON'S LIFE OF BRIAN.) Though my parents were professionals and we grew up affluent, our home saw its share of dysfunction. Dad was in the house, but not often present. Mom, stressed and disappointed at discovering her marriage wasn't an equal partnership, took out her frustrations on me.  Without getting too far into the weeds, let me just say my adult life has been far from typical middle class stability. I've never had a career. Never finished ...